Aardschok
Magazine March1995
A a r d s c h o k March
1995
In past era's, when in oblivion passed away legends
like Ostrogoth, Acid,Killer and Cyclone were breaking bones, the Belgian
heavy metal scene wasconsiderd as an exceptional breeding soil for the more
harder genre. Afterfameless years, there's a new generation germinating in
the boggy land of black/death. A new generation of potential great bands from
which Ancient Rites deserves primary recognition and recently is being
offered. Since the release of the illustrious 'The Diabolic Serenades', the
extremely sympathetic trio is being hosted very enthusiastically on German,
Dutch, French and even Portuguese and Greek stages. Still, the debut is being
distributed only from now on ; kind of a frustrating situation of 'billy
goat-riders' Gunther Theys (bas/growls), Bart Vandereycken (gitaar) and
Walter Van Cortenberg (drums),which we will do this interview collectively. Already from in the beginning we were confronted
with all kinds of setbacks: innumerable line-up changes, boycots,
bombthreats, cancelled tours and the death of our guitarplayer Philip. When 'The
Diabolic Serenades' was being released and was being hosted very positive, we
thought it would go easier on us....notthing was less true. Before we
realized, we were involved in a game between distributions and recordlabels
what a frustrating situation was. At the moment, there are various companies
involved with the distribution of the cd, what complicates the overview. Even before the actual recordings
from the debut, Ancient Rites was being approached by several interessted
labels, from which some with a tempting studiobudget. However, the choice
fell on the brand new After Dark label that was a lot less wealthy, so that
the band had to manage the studiocosts themselves. Various bigger labels approached Ancient Rites, yet
we choose for a pure cult-label, as we were still in the delusion that
underground would be free of corruption and false promises. On top of it, we
knew the people of After Dark for several years. Afterwards, the combination
of friendship/business is hard to realize. Ancient Rites has invested a lot
of money in the release, so we could keep a lot of freedom for ourselves. At
the moment, we are involved in negotiations with various labels, who are
interessted in the release of our second album. It doesn't have to be said
that we will examine the contract very thoroughly, before we place our
signature. We have to consider that the label where we will sign up, can rely
on a solid distribution, can insure tours and is able to pay our studiocosts,
without making any concession. Ancient Rites is no doubt a high
original, self-assured band with a strond individual sound and style. It
surprises me that the band has to identify itself with a cheap, common black
metal image. All members are involved from the very beginning of
the black metal thing, and we persevered when the style was being laughed
away in the mid 80's. Why should we let ourselves influenced by twelve year
old kids, who found Venom to soft and are in the delusion that "Circle
of The Tyrants" is being created by Obituary??? The opportunists will
disappear when black metal will increase on popularity. Some concerts we do
with corspepaint, others without, and this selection is being made on our
state of mind, apart from the public or the organizers. When some have it
hard to understand, that's their problem. Musically seen, Ancient Rites
doesn't compare to the actual black metal hordes. It is rather influenced by
the harder metal genre from the mid eighties; music that's not being
appreciated by an average black metal fan today, while Ancient Rites is being
worshipped. There is no doubt that many years of being in the
underground had its influence. One should not forget that we were already
active in the metalscene when black metal didn't really exists, so our
inspiration sometimes comes from another angle of the metalgenre. Despite we
understand eachother, musically, very well, we still have our own
preferences, what does the originality only good. We consider Ancient Rites
like a real black metalband, yet we carry our own identity high in the banner
(this translation sux:)) (note from the translator:)) Also moody, melancholic melodies
are being used sometimes. There should be some plans to release, after the
second CD, a mini with instrumental medieval, soundtrack-alike things like in
the vein of 'Last Rites' Medieval music fits perfectly in the 'ancient'
concept from the band. Original, 'Last Rites (Echoes of Melancholy)' was an
instrumental number which we used to end our gigs. In the studio, we found it
interessting to replace our modern instruments by medieval ones. Most of the
people knew to appreciate this, and to our surprise, the track was even being
used to end some foreign radioshows. At the moment, we prefer the concentrate
us at our 2nc CD, yet we don't say we will never make such a mini-CD in the
future. A tribute to our medieval ancestors!;) Ancient Rites has a very fanatic
underground-following and especially in Greece the band is very popular. In
their own country their is some attention comming up. Before, we tourded various times through Europe with
acts like Imapled Nazerene and Rotting Christ, what resulted in some
appearances in foreign TV and radioshows, but in our homecountry the
appreciation didn't follow. Since last year there is some change in that. Like
we had to proove ourselves first abroad. Belgian bands will confirm that the
audience in Belgium is far from chauvinistic. Besides, the attitude between
Belgian bands isn't worth calling optimal. Also, years ago less people were
interessted in the style we brought. Also this is changed. At the moment, Ancient Rites is
touring again thru Europe as support of Swedish At The Gates. Afterwards,
they get there black souls in the studio again, to record the successor of
'The Diabolic Serenades'. © Wim
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