Interview with Hellhammer conducted by Dmitry Basik
June 1998
Thanks to Dmitry Basik for use of
the interview.
Hellhammer. A masterly drummer, one of those who started the Norwegian
black metal revolution, the person who managed to create the real masterpieces
in black music... He never was the ideologist of the “revolution”, he was just
around. He was a witness. “The main ideologists” are dead or imprisoned. Hellhammer
is still alive and keeps on playing. In the telephone call Hellhammer told us
the true story of his life. It was the beginning of the ‘90s, the dark time of
burning churches, murders and a new era of black metal music. The time of
terror and tragedy...
Chapter I
“I don’t have a real education, I finished an ordinary secondary school. School
life was pretty dull for me but I enjoyed it anyway. I never did my homework
but still managed to get very good marks. It was quite natural for me, ha ha! Sitting
at home and studying was the worthless thing to do as I was pretty much into
football and - later on - into wrestling and sports. I didn’t do my homework
but that wasn’t a problem anyway. I was twelve - thirteen years old when I told
my parents that I liked to play drums. Of course, I couldn’t but I did want my
mother to buy me a drum kit.
“I enjoyed looking at drum kits and people playing drums. When I looked at drum
kits my blood pumped up. So, I wanted to play drums but I couldn’t. That’s why
I asked my mother to buy me a drum kit. I didn’t know how to play drums so I
just played with records. Later then I showed to some of my friends what I
could do. Well, I could play something and they were like: “Wow!”
“When I was fourteen or fifteen years old I was mostly involved into heavy
metal like IRON MAIDEN and that kind of stuff, but I was also into other types
of music like DEPECHE MODE and DURAN DURAN. Later I was influenced by the
harder bands: CELTIC FROST, VENOM. It was a quite different experience for me
because that was the music I was hearing in my head, but none of the bands,
that I had heard before, actually played it! So, when I first heard that row
and very dark, very intensive sound I was really thrilled. It was the kind of
music I wanted to play.
“Later on I got under the influence of jazz. My drums teacher was into that
kind of stuff. I didn’t start playing double base at once, I played a simple
four-piece kit, jazz kit. I think that was very good for me, because then I
learned the foundations of playing. After that I got involved into tom drums,
and later - into a second base drum.
“My parents have always been very supportive. I played for seven hours a day
sitting in my room without even stopping for drinking or eating. I never heard
anything against it! My whole family was very supportive. My grandmother bought
me my second drum kit, and so she bought me the third one, ha ha! They were
into the music I played, actually. I guess my parents really wanted me to find
a job and earn some money, but they never said anything to me. They just
encouraged me. And actually I didn’t have to work back then as my parents had
money and thus I had everything I wanted. So, the relations in my family were
very good. And my parents still support me one hundred percent. They don’t like
MAYHEM and the satanic stuff because my family are Christians. But they do
appreciate the music and they appreciate the things I am doing. But I am not a
Satanist either. All the satanic things don’t have any meaning for me. For me
it’s just the music.
“I joined MAYHEM in 1988 but before that I played in some local bands. I lived
in some hour drive from the capital of Norway, Oslo. So, once I drove to Oslo
and heard that MAYHEM needed a drummer. Well, I just listened to their record
“Death Crush” and I liked it... Friends of mine arranged our meeting. I took my
demo tape with me. So, they listened to my demo tape and the other day they
called me and told me that I was in...
“One of the first bands I played in was BLOODY MARY. I don’t actually tell a
lot about that time. Well, there isn’t much to say. We used to play heavy metal
but our songs were never recorded. We played a couple of ordinary small gigs,
that’s all. I remember I was a bit nervous, but just a little. I didn’t worry
about the state my drums were in back then. Today I do care about it. The major
problem for me was the broken plastics and splashes; I bought the thickest drum
sticks at a shop and hammered with them like hell. I don’t have such problems
nowadays: I bought the thinnest drum sticks...and learned how to play, ha
ha!
“Thus I had played in several school bands when one day I saw an advertisement
saying that MAYHEM needed a drummer...”
Chapter II
Everything Here Is So Cold
Everything Here Is So Dark
I Remember It As From A Dream
In The Corner Of This Time
Diabolic Shapes Float By
Out From The Dark
I Remember It Was Here I Died
By Following The Freezing Moon
MAYHEM “Freezing Moon”
“My friends introduced me to the musicians of MAYHEM. Their names were Euronymous
and Dead. I met them and gave them the tape with my recordings. The next day
they called me up to tell that I was in. Euronymous looked like a very pleasant
guy. Of course, he was a bit strange. I came to his house: he was all dressed
in black and there was a knife hanging on his belt. I remember I thought: “What
the hell does it mean?” Dead joined the band a few months earlier than me. He
was a Swede and didn’t understand a lot what we were talking about. Well, he
was a strange guy. A very reserved person. It was impossible to discuss
personal things with him. Soon after we got into everything that was connected
with death, the dark side of life and Satanism. I would always like those
things in spite of the fact that I was born in a Christian family. Only years
after I realized how weird and how harmful it was for us. But I was too young
to resist my temptation for Darkness. I found some books where different
rituals were described. Later on we realized our knowledge into the real
life... Euronymous was involved most of all. He was our teacher. Now I know he
got too far, too far. And Dead followed his steps. Soon Euronymous and Dead
became even grimmer and more reserved. On the contrary, I have never been a
grim person. But those two... Frankly speaking, I didn’t manage to perceive all
that Satanic thing. I was attracted by a dark, sinister image, but I didn’t
feel any anger for Christianity. Euronymous and Dead hated it. “Christianity is
evil,” they used to say. But I asked them: “Ain’t it evil what we are doing?” I
never got an answer to this question.
“Before the shows Dead used to bury his clothes into the ground so that it
could start to rot and get that grave scent. He was a “corpse” on a stage. He
was one of the first to use make-up that soon became so popular among black
metal musicians. In fact, he was the first black metal musician to use corpse
paint. Once he even asked us to bury him into the ground - he wanted his skin
to become pale. He had used corpse paint before MAYHEM in his previous band
MORBID. He acted the corpse and he called himself “dead”. He looked really
great with all his make-up! When seeing us the public got really crazy. Some
people, of course, didn’t understand us, but the most part thought we were just
cool... I took my name from CELTIC FROST. Their previous project was called
HELLHAMMER, and I thought it was a shame that such a good name had to
disappear. And “hellhammer” sounded as a good name for a drummer, I
thought.”
Visions of that no mornings
light ever will come. I'm to old now.
The dark is so near, will I ever reach the land beyond
This is where we go when we have to die.
I've been old since the birth of time.
Time buried me in earth centuries ago,
I tasted blood. Buried by time and dust.
MAYHEM “Buried by time and dust”.
“In the beginning of the ’90s we rented an old deserted house in the forest. We
needed a place for rehearsals, so we ended up in that house. It would take
twenty minutes to get to the nearest shop, and we had to go by train to the
nearest town. People who walked by our house, fastened their steps. They were
afraid of us. And teachers from the nearby schools told children: “Do not come
up to this house. The house is haunted!” Everybody hated us, but we enjoyed it.
Euronymous was busy with his label and spent all the days typing something. I
played drums and Dead would lock in his room being permanently depressed. So
that was the way we lived: each of us was in his own world. Euronymous and Dead
didn’t get along well. Dead didn’t trust Euronymous. The verbal fights turned
to real bloody beatings. I got tired of their quarrels and moved to my
grandmother’s, coming back merely to rehears. One day I decided to go to Oslo
with my friends. Before the departure I met Dead. He was grim and depressed:
“Look, I bought a big knife. It’s very sharp.” Those were the last words I
heard from him.”
How beautiful life is now when my time has come.
A human destiny but nothing human inside.
What'll be left of me when I'm dead, there was
nothing when I lived.
What you found was eternal death
no one will ever miss you.
MAYHEM “Life Eternal”
“Euronymous was leaving with me that day. He went to town on his label’s
business. Some days later, when Euronymous came back, the house looked
deserted. The front door was locked and there was no key in our secret place. Euronymous
went round the house and noticed that the window to Dead’s room was opened. He
got to the house and saw Dead lying on the floor: a part of his head was blown
away by the gun’s shot. Euronymous hitchhiked a car to the nearest town to buy
a film for camera. Then he returned and made a shot of Dead’s corpse. I was
surprised at having noticed that the knife laid on the gun. It should lay under
it... May be Euronymous never went to town that day... When Euronymous called
me, he was not talkative. “Dead went back home,” he said. “Back to Sweden?” I
wondered. “No, he’s blown his head.”
“Then I realized that Dead was dead. Police took the Dead’s body but we would
live in the house for a few more weeks. Dead’s blood and pieces of scull were
all over the room. Once I looked under his bed and found two big pieces of
scull. I took one piece and Euronymous took the other. We made amulets out of
them. Later on we lost them somehow. It’s strange... Well, Dead’s death didn’t
stop us. We decided to find a new vocalist and bass player and continue MAYHEM.
We would audit for a while and soon the line-up was gathered. That time
Grishnackh played bass... I liked him from our first meeting: he was an
intelligent guy. He stood out from other musicians, he was unique... He was
modest and polite... Soon our band turned to “Inner Circle”. I was always
against of church burning: that didn’t make any sense! But the others thought
it did. Well, they shocked the whole Norway! They never pressed on me. I was
not involved into the things they were doing. No one really knows why
Grishnackh murdered Euronymous. I assume it was a personal conflict between
them.
On the day of Euronymous’ death I called him at the office. Nobody picked up the
phone. Then I called his parents hoping to reach him there. I was told that
Euronymous was murdered the night before. I was shocked. I didn’t know who did
that, but I was sure it could be the Swedes. There were constant conflicts
among Norwegian, Swedish and Finnish clans. Dead bodies were found everywhere. My
friends and I took knives and guns preparing to defend ourselves. We were
waiting for the worst to happen. But soon we learned that Grishnackh was
Euronymous’ murder. Yeah, that shy boy turned out to be a killer. I couldn’t
even realize he could do that! My friends from “Inner Circle” and I were called
to trial...
Not long before his death Euronymous became a member of the Communists party. He
thought the events that took place in Russia were the real evil. Then he read
Marx - he was disappointed. Marx wanted people to love each other. And
Euronymous turned to Fascism. He always wanted to belong to the most extreme
part of the society.
He was twenty four when he was murdered...”
Chapter III
“I found another line-up and resurrected MAYHEM. I must say that music has
always been the most important thing for me. I was not interested in Satanism. And...
is it possible to follow all the formulas, all the restrictions of Satanism?! Of
course, not! I didn’t support Euronymous accusing everybody at posing and
stuff. I know personally the guys who were blackshipped by Euronymous, they
were quite normal people. Thus, MAYHEM is no longer a Satanic band. And what is
Satanism? Who are the Satanists? Grim guys, being depressed, the rich who
neglect all the society rules or hippie, who claim they can foresee the future?
Satanism is something very personal. No one in the band is a Satanist. Moreover,
we are not a political band either. I prefer good musicians to Satanists. But
still we are MAYHEM and we still continue to play our music. Our new mini-album
“Wolf’s Lair Abyss” resembles MAYHEM of the early ‘90s. Of course, it is more
aggressive and much better recorded. This is the product of the modern day. But
still it is just a mini-album. Our full-length album will be titled “Grand
Declaration Of War”. It will be a real killer! Mini-album is just the bridge
between past and present...”
Chapter IV
“A few words about my projects. I played in IMMORTAL, EMPEROR, COVENANT and
ARCTURUS. These are, of course, the main bands I played in. In general, I have
played in twenty five bands, ha ha! I didn’t stay long in EMPEROR, just for a
year or so. We joined the band with ARCTURUS keyboard player, but managed to
record only one song within that year. EMPEROR’s practice room was too far from
my house, and, besides, I was already involved in ARCTURUS. It was rather
complicated for me, that is why I split with EMPEROR. The atmosphere in the
band was rather good, but I liked the one in IMMORTAL better. IMMORTAL had to
tour with MORBID ANGEL and they invited me to fill in for that tour. I really
enjoyed the tour, though it was very hard to do your best every day within
forty minutes. After the tour I was invited to the band as a permanent member,
but I refused to: I would have to drop MAYHEM, job, family. They lived in
ten-hour-drive from my house! No, I cannot change MAYHEM for another band! But
I really like Demonaz and Abbath: they are so cool and funny, ha ha! We drank
so much! I heard the guys said my way of drumming didn’t quite fit the band,
but it is not true. I told them that to approve my quitting. I just didn’t want
to drop MAYHEM, you see. ARCTURUS is not merely a project, it was one of the
main bands of mine. In fact, I and the keyboard player founded the band. We
played together in the late ’80s and even released a single. Then I switched to
MAYHEM and we put aside the project for a certain time. Many years after we
resurrected the project and started to work. The line-up was changed a lot of
times, and I will not mention all the musicians, there are too many of them. Well,
we presently have a very successful album “La Masquerade Infernale”...
“A lot of bands would invite me to play with them but for most part I had to
refuse their offers. Either I had no time or their music didn’t attract me. It
was quite different with COVENANT. I felt a certain potential in the band, that
MAYHEM and some other bands, I played in, seemed to lack. That’s why I joined
the band. At first - as a session musician, later - on the permanent basis. So,
presently I am working with three bands at once. I don’t really enjoy the music
of COVENANT, but I do like to play drums in this band. I have to be very
accurate, this is not a speedy black metal. But still I was experimenting when
at studio rather than playing some learned in advance parts. I think next time
I enter the studio with COVENANT, I will bring the notes with me...”
Final Chapter.
“Some people might think that we, the musicians of MAYHEM, earn a lot of money
from playing music. But we are not rich, at least for Norway. MAYHEM doesn’t
bring me enough money for living, that is why I have a job. It would be perfect
if I could earn money playing music only, but then music would have become a
job for me and I would have lost some pleasure. I work as a night guard in a
hospital for mentally deranged people. I used to work in the security company
of my father, but I had to work there too much back then. I prefer working the
night shift. My girlfriend’s mother works at the hospital, so when I asked her
if she had any vacancy for me, she offered me the vacancy of the night guard. I
have been working at the hospital for four years already! This job suits me as
I am into sports since childhood and that’s why in a good shape. And, you know,
looking at all these deranged people, I come to the conclusion that I am not
that hopeless, ha ha! I have an electric drum kit at home. I have a house of my
own, but presently I live at my girlfriend’s. I am not going to get married
now, but who knows?.. I usually wake up at twelve o’clock, have breakfast and
head to the gym hall where I am practicing for one hour. Then I dine and
practice my drums. Sometimes I watch video schools. I have supper and then go
to a rehearsal. The rehearsal takes normally three hours. I spend evening with
my girlfriend, then drive to the hospital. I don’t smoke and drink very little
alcohol. I like reading and watching TV. Actually, I am always reading
something. It may be horror stories or some magazines for drummers. What is my
greatest love? My drums!”
Post Scriptum
“If I stop playing metal, I will continue to play drums anyway. I have been a
session musician for fifteen years already, and I also play pop, jazz and rock.
Whatever. My destiny is to be a drummer, and I will be the one till I die.”