Five» out of «five» in
Terrorizer. Then "They are a band to be worshipped" in Chronicles Of
Chaos, then... What the hell? How can a young band make so much noise in metal
underground with its second demo? And now they have just released their debut
album on Nuclear Blast. Oh please, don’t say that Nuclear Blast is the major
label for sell-outs. May be you are right, but these Nuclear Blast dudes don’t
release cheap shit and we all know it. We got the debut album of AGATHODAIMON
"Blacken The Angel" as soon as we could, and thus realized that this
band must be on this page. I don’t want to describe the album that you all have
already heard. So, I’d tell about the history of this young cool band from
Germany. And one more thing: big thanks to AGATHODAIMON’s manager Martin
Wickler. The band was found in the pale days of September 1995. All the band
members had musical experience before, but still AGATHODAIMON became their
first serious experience. Sathonis and Matthias R. were the first two souls who
gave birth to this hell spawn. Soon after they met Vlad Drakul and Marko Thomas
who played together in several bands. Two months later Hyperion was found and
the spell of mastery was cast. This sinister world was doomed to meet
"Carpe Noctem", AGATHODAIMON’s first demo. It was April 1996. Their
second demo "Near Dark" was recorded in February 1997 and it was
quite popular among people involved in the underground. More than 1000 copies
were sold and the band could choose a record deal. They decided to sign to
Nuclear Blast. Now everyone may buy their debut album "Blacken The
Angel". One more detail: Vlad, who did all the lyrics for the band, has
Romanian origin and unfortunately, he can’t play in the band any more ‘cos he
wasn’t allowed to return to Germany. So the line-up changed but you’ll find
more details below. Let’s get started. I talk to Sathonys, co-founder of the
band and the guitar player.
Nuclear Blast has released a
lot of good bands during the last months, and it’s easy for people to get lost
among all those releases. What was the reaction of public and fans on your
album? I know the press enjoyed the album.
Well, it doesn’t matter so
much that Blast has such an enormous output as they aren’t limited to certain
style, so they can give good support for all their bands. That includes us as
well, as you said the press liked our album and luckily also the fans.
I know that a quite sad story
happened to your band member Vlad Dracul... Any details for our readers?
Well, the problem was his
Romanian origin; after he had lived seven years here in Germany, he decided to
visit some friends and relatives in his native country. After he wanted to
return to the band, he wasn’t allowed to come back to Germany, as he doesn’t
own a German passport (that’s because Romania doesn’t belong to the European
Union). So, we’re still trying to get him back after several tries already
failed… until then, Akaias will replace him. As the return of Vlad seems to be
unlikely due to the harsh German immigration laws, Akaias is now a permanent
band member. (N.: it wasn’t the wise decision to go to Romania with all this
war shit around. I prefer to watch NATO solders on TV).
When and how did AGATHODAIMON
come about?
AGATHODAIMON
were formed in September ’95 and we released two demos, "Carpe
Noctem" and "Near Dark". Both with the same line-up, Hyperion
and me, Sathonys, on guitar, Vlad Dracul on vocals and keys, Marko T. on bass
and Matthias R. on drums. For the album, we had to use the talents of
Vampallens (keys, also guitarist in NOCTE OBDUCTA, another great band in which
Matthias and myself are also playing in) and Akaias.
Are
you satisfied with your debut album? If you could change anything about the new
record, what would you change? What makes it different from both demos?
Yes,
we’re quite satisfied ‘cause we have to consider all the troubles we had to
face concerning the recordings… Especially the problem with Vlad Dracul forced
us to improvise a lot in the last minute. If we could change something on the
album, we’d re-mix it again.
How
long did it take you to write this record? Do you write music often, or is it
only when you head into a studio to record the material?
I
can’t give an exact answer on this question. But concerning songwriting, we’re
working constantly on new songs; we only enter the studio when everything is
ready to record. Our studio budget isn’t that big that we could use studio time
for composing.
Are
you really busy doing a lot of promotional work now?
I
was, but at the moment things are getting a bit more back to normal. As I’m
doing all of the promo stuff, I was quite busy the last weeks, but after our
album is out for almost three months now, most of the interviews are already
done. Anyway, compared to other bands, we received quite few interview
requests, but I guess this will change with our next album. But still it was
sometimes quite hectic; four interviews a day, etc.
Promotion
means a lot of interviews and questions. Do you get a lot of dumb questions?
Are there any funny enough to share them with our readers?
Of
course, but I think that the standard questions are getting more on my nerves.
Slowly but steadily. If you have to repeat the whole band story every time or
explain the meaning of the band name… it’s so boring! But sadly I can’t
remember any really funny, stupid questions. I just remember the better,
intelligent interviews. The questions of Mikko Mattia from Isten magazine were
the most interesting so far; it was a pleasure to answer them. But I can’t give
an example at that moment.
Anything
that bugs you about being in this industry and being on a «major» label like
Nuclear Blast?
The
only thing that really sucks are people who call us commercial or hype just
because we’re on Blast. Blast is still an independent label, which isn’t able
to "hype" its bands. They don’t pay to have their bands featured in
magazines, etc. For example, there wasn’t even one single title story in ten
years for any (!) Blast band in Rock Hard, the biggest German Metal publication.
Doesn’t look like hype, I’d say. Blast does what all other labels are also
doing, they publish advertising and send Promo-CDs to magazines and radio
stations. What makes them better is their enthusiasm for their bands; they work
a lot for and with their bands.
AGATHODAIMON
is only three years old and it got a deal with one of the best labels in metal
genre. It’s quite impressive. Could you give a piece of advise for our readers
who play in bands, concerning what should they do to achieve success?
First
of all, it’s the music that matters. On the other hand, outfit and image also
important, but this doesn’t bring you anywhere when your music sucks. So
practicing is highly recommended, and of course you have to deliver something
original which makes you differ from other bands. Nowadays, it’s not that hard
to get a record deal than it was some years ago, but it’s getting harder and
harder to sign to a good company. I would suggest that a band should
concentrate on the underground in the first years, without forgetting about
mailing their stuff to known, established magazines. A good underground
reputation is always a strong help to attract labels.
What
about your side projects? Is there anything new there?
Well,
Matthias and me are playing in the band of Marcel (Vampallens, who helped us
out on keyboards), called NOCTE OBDUCTA. We released a demo so far and received
interest from labels such as Listenable, Head Not Found, etc., but in the end
we decided to sign to GSM which is the label of our (AGATHODAIMON) A&R
Manager. So the distribution is also handled by Nuclear Blast. A debut album is
currently in the making; we’ll enter studio this weekend. Vlad had a solo
project called DRUSUS and released three demos and a 7" so far. Also
Hyperion has a solo project, but it has nothing to do with dark music. Our
current vocalist Akaias is also playing in a band called ASARU, worth to check
them out…
You
play live a lot. Do you like to do that? How do you see the "perfect"
live show for AGATHODAIMON? The "perfect" fans behavior on your
shows?
Of
course. But I couldn’t imagine a perfect live show in the true sense of the
word. Anyway, it would be nice if we could combine the physical energy of a
band like SAMAEL with the intensity of a band like SLAYER, plus the entertaining
qualities of bands like OVERKILL, enriched with a very dark atmosphere. There
are lots of good live bands around, but still I haven’t found a perfect live
band, always there’re something missing which makes it ultimate. We’re of
course also far away from being perfect, but we do our best to get better,
concerning stage acting and show. About the perfect fans behavior, well, that’s
up to them! As long as they like our show, I don’t mind if they prefer stage
diving or just standing there and seeing the show. But of course, we always
hope for good feedback, I mean there’re nothing more frustrating than a silent
crowd, which shows no emotions/ reactions.
How
do people react to the band in a live situation? Any weird fans come out to
your shows?
The better known the band
gets, the more crazy people turn up. It often happens that people come to shows
with face paint, spikes, etc. And I’ve noticed that there more and more stage
divers… also more girls, he he. But
that’s a development which can be seen in the whole black metal genre, it seems
that black metal gets also more interesting for women. Perhaps, because the
gothic/ darkwave scene is often connected with black metal also.
You’ve
played together with a lot of great bands. Who is the best to play with?
It
was great to play at Waken, ‘cause the audience was great and there were lots
of other, interesting bands. Apart from this experience, we shared the stage
with numerous bands such as DIMMU BORGIR, BENEDICTION, HYPOCRISY, ABLAZE MY
SORROW, BEESECH, THERION, OLD MAN’S CHILD, CANNIBALS, etc. Dozens of
underground bands like CRYPTIC WINTERMOON, DESASTER, ANCIENT CEREMONY, NIOBES
IVORY DREAM, DUNKELGRAFEN, SECRETS OF THE MOON, etc. It would be impossible to
tell which ones we’ve enjoyed the most.
When
can we expect your new album?
I
guess this will take a while, currently we’re working on some conversations for
tribute albums, mainly for the Japanese market. We’re rehearsing "Victim
of Fate" of HELLOWEEN and also an ACCEPT-cover, perhaps "Son Of A
Bitch". After this, we continue to work on new songs. Just be patient and
listen to our debut album meanwhile! Thanks for interview!