For me, personally, it will be
painful to know that my own work is being constantly compared to someone else’s
works. I am working my ass off down here and some geeks go stirring shit
around! It sucks, pals... The Swiss ALASTIS after a ten year existence can’t
tear out from this vicious circle: journalists keep rebuking ALASTIS of
copycating their more successful brothers in arms SAMAEL. Hopefully, the latest
album will violate «The Just Law» and reveal «The Other Side» of the band. So
let death smile and «Revenge» be done!
You visited Poland once in
1997 playing at Metal Mania festival. What do you think of that gig?
Yeah, for sure it was a great
show! It was one of the biggest we have done. And the public reaction was very
great. It was cool. We’d like to play in Poland again, ha ha!
Did you find any differences
between the Polish fans and the fans from other countries?
I think Polish fans are more
crazy! In Germany and in Switzerland people are more quiet.
What do you think of Poland as
a country?
I am afraid, I don’t know
Poland. I have been there for two days, at Metal Mania and on the TV. And
nothing else. The rest of the time I just slept, ha ha!
Touring is not the most
suitable time for seeing the places...
Yeah, that’s for sure!
OK, not so long ago you
released your new fourth album. What is your opinion on that release? Are you
satisfied with the work done?
My opinion? I can’t say
anything objective, as we have been rehearsing those songs for a year already! We
tried to do our best, but now when the record is out, we don’t think of what we
could have done better. We will try to make it better in the future, you know. But
for sure, I am satisfied with this album. As well as I am satisfied with out
first demo, as it was the part of us. Of course, right now I can admit we could
have done it better, but we were not able to do it better that time! Our lyrics
are more aggressive, there are no «complains» this time, ha ha! So far I don’t
know the public reaction on our last album as we haven’t toured yet, but some
magazines have already written some critics on us. They say we have changed,
and they don’t compare us with SAMAEL any more, ha ha! And this is a good point
I think!
You have managed to change
your sound, it’s quite obvious. Did you really try to change it or did it
happen accidentally?
Yeah, we tried to change it as
we evolve as musicians. I don’t know if our band good or not with this sound. Because
a lot of shitty bands have a good sound and a lot of good bands have a bad
sound. We can’t judge the music by the sound. I think our new sound is more
«deeper» that the old stuff. We really tried to change the sound as in
Woodhouse Studio everything sounds the same. You can change sound engineers but
still you will have that Woodhouse Studio sound! It’s like the bands from the
Morisound Studio have that Morisound sounding. We tried to make something
different.
If that studio made you sound
like many other bands, why didn’t you merely change it, try another one?
Yeah, but there are no good studios,
ha ha! This is a big problem I think! Before the recording of this album we
tried to find a good studio, the studio that could make us sound different from
SAMAEL. But... We have chosen the Woodhouse Studio as it is a cheap one and
they know the kind of music we are playing.
So, you liked Woodhouse Studio
because it was a cheap one? Well, it wasn’t that cheap. You can find cheaper
studios but they will produce a bad sound. And there are more expensive studios
with better sound engineers. But they are very expensive, these studios are for
the bands like QUEEN and PRINCE. We have a studio not far from our place but it
is ten times more expensive that the Woodhouse Studio.
How much did Century Media pay
for the studio?
It was something between DM
15,000 and DM 20,000.
Was it your choice to record
the album in Woodhouse Studio or did Century Media make you record the material
there?
It was our choice. Our second
album was recorded in the Woodhouse but we were not signed by Century Media
that time. I think we are on Century Media due to this studio and its producer,
ha ha!
I wonder how does Century
Media estimate the sum for the recording of your albums? Different bands
receive quite different amounts of money for the recordings... Why do you
«deserve» DM 15,000 or DM 20,000 and not more or less?
Because label is like a bank. They
pay for the studio, they pay for CDs, they pay for tours. But you have to give
back with the selling. This is not very difficult for them to estimate the sum
of money they pay and the sum of money they receive back.
Which album was the most
expensive one for Century Media?
I think the latest one.
So, has Century Media got
higher hopes for selling the «Revenge» album?
I hope so, ha ha! It’s very
important for a band to believe in music but it is more important if the label
believes in band!
How many copies of your
previous album has Century Media managed to sell?
I think fifteen thousand. It’s
normal for the underground. We hope to do better in the future.
Are you satisfied with the
promotion of your latest album?
Yes, but we haven’t made any
tours yet. And tours, I think, are the best promotion. There are so many CDs
coming out each month, that people want to see the band first and only after
that buy their CD.
...And now you are getting
ready for the tour giving interviews to press?
Yes.
So, what is the most
frequently asked question? What do the journalists want to know this year?
Ha ha! You know, I started the
promotion in the end of July and from September you are the first one! So, I
have some problems with reminding the most frequently asked question. But it
will be: «When will you tour?» I guess, ha ha!
So, when will you tour?
Ha ha ha! We hope very soon! The
tour was planned for January with ROTTING CHRIST, but it is canceled. May be
we’ll go on tour in April or May.
What is the major subject of
the «Revenge» lyrics?
It’s very difficult to answer
this question, as there are many subjects. But I wanted to say: «Be careful! You
think you have some freedom, but you have not! This is just an illusion.» I
wanted to show the truth. This is the main message on this album.
You don’t actually write
lyrics about our everyday life, our reality. Don’t you find anything in the
modern world that could inspire you to write about?
Well, I am quite satisfied
with the modern reality. A few years ago I was more depressive, but now I am
quite happy. Still I am more involved in the psychological part of out life.
You originate from
Switzerland, a small country in the middle of Europe. Would you like to tell us
anything about the underground life of your country?
Switzerland is a very small
country, there are only six million people living there. There are also four
languages in the country. And as we have a very small population, we don’t have
a real underground. There are no metal magazines and no radio stations. There
is no metal TV program as well. Everything comes from Germany, France or Italy.
It depends on the part of Switzerland you live in. We belong to the «French»
part of the country, so we are pretty much influenced by France. We have French
TV, French radio and French magazines. The same things happen in other parts of
the country. And, as we are that influenced by different countries, we don’t
know what is going on in our own country, ha ha! You learn about a Swiss band
only when it becomes popular in Germany or France. And this is the same for us.
We don’t have any contact with bands from «German» or «Italian» part.
Does it mean that nation is
pretty much separated within Switzerland and doesn’t comprise a unity?
Yeah, people are different in
their languages, in their mentality, in everything! You know, we are very much
influenced by Italy and France, people from the «German» part are influenced by
Germany and Austria. The French are more into enjoying the life, while the
Germans are more into working, ha ha!
So, you are more into enjoying
the life, aren’t you?
Yeah, ha ha!
Being influenced by France,
why did you sign a contract with the German label and not with the French one
like Osmose, for instance?
The first label we were signed
by, was the French one. So, we started in France. Then we found the Wood House
Studio, where we found Valdemar Sarichta, and he recommended us Century Media.
Do you see any differences
between French and German labels?
Yeah! In France there are only
big labels and there are very small ones. You don’t have something in between
like Century Media or Nuclear Blast or Massacre. These labels are rather big
and they have a good distribution around the world.
People in Switzerland are
known to enjoy the highest level of living in Europe. Being a Swiss, can you
admit it?
Of, everyone thinks that way! But
this is true for the ten percents of the population. These ten percents have
more money then the people from the other countries. But the rest of the
population like us, have to work really hard to earn for the living.
Is it difficult to be an
underground musician in Switzerland?
Yes, we have to work. From the
music you can live in an African country, not here, ha ha! The life here is
very expensive. I can live just one month from the music! I am a mechanic, this
is my job.
Are you married?
No.
Does it mean you don’t have enough
money to make a family of your own?
No, I have a girlfriend who I
have been dating for twelve years with. So, I feel like getting married but I
don’t need to marry.
You have a very strong
anti-religious position as far as I know... Could you comment on that?
I think nobody can say that he
is nearer to God that the others. This is true for all the religions of the
world. In all the religions you have a guy saying: «I am the messiah!» For me
it’s not like this. I can’t accept this, I think popes in churches are like
politicians, they are there for money. I am very against all the religions! So,
are you an atheist? Yes, but atheists think there’s no life after death. But
I think there’s something after, we have something to do everywhere. We just
don’t have permission to come back. But I can’t say: «Believe me», as this is
my truth. You can believe in what you want! But nobody can say: «You have to
believe in this».
Some guys from Norway are so
angry with the religious things, that they burn churches and even do their
terrorism....
I think that we have to
respect everybody. People are free to believe in what they want!
OK. And finally I would like
to do the very thing the major part of journalists have already done; I am
going to touch upon «You-are-like-SAMAEL» theme, the theme that you might have
probably hated. Why, do you think, journalists compare you to SAMAEL? How do
you feel about that?
Ha ha! Again, ha ha! You know,
in the past it made me crazy, but now I don’t care ‘cos we have two very
original bands. We just have a bit similar sound. We are great friends with
SAMAEL, and we played together a couple of times. So, I think it was very
difficult for people to find the right words to characterize us, and they just
compared us to SAMAEL. It’s more easy to act like this. For people who don’t
know classical music Beethoven and Mozart are the same! We have the same kind
of sound but not the same compositions. And we have the same ideology.
I believe your fans do find
the difference between ALASTIS and SAMAEL...
Yeah, and I want to say: «Stay
crazy, as we age going to play soon in your country!»